This curatorial project explores how artists have engaged with computing across time, from ancient mechanical tools to AI and augmented reality. Designed for the Powerhouse Museum Castle Hill, the exhibition follows a chronological journey through artworks and artefacts that highlight the evolving relationship between creativity and technology.
Using a minimalist white cube layout, interactive displays, and carefully considered labels, Coded World proposes a contemporary exhibition experience that connects history, critical design, and digital futures. The project reflects my multidisciplinary focus on visual storytelling, spatial design, and curatorial thinking.
